I danced so hard I caught a cold!
That’s exactly what happened to me a couple of weekends ago when I attended the 2nd Dublin Fever Fest, Ireland’s most recent Latin-dance congress and a show of how popular salsa and a whole spectrum of other dances have become in the Emerald Isle over the past few years.
How do you catch a cold from dancing? Well if you have to ask you’ve clearly never danced hard enough before 😛 . Continued heavy exercise can weaken your immune system and I’ve run myself down in the past after suddenly thinking it would be a good idea to go dancing every night for a week straight (I’m usually a 2 or 3 nights a week kind-of-guy). Fever Fest, however, was my first time catching a cold after only a weekend of dancing… well done Fever Fest.
Despite, running myself into the ground and catching a cold (which I still have by the way “sniff sniff”), I really had a blast at Dublin Fever Fest and I think it’s worth pointing out why; what made it special and maybe what could make it even better.
Size Matters!
Let’s be honest… it does! In the case of salsa congresses, they can be small local congresses with just one class at a time or they can be huge international congresses with thousands of attendees and multiple classes running simultaneously. They all have their own Pros and Cons.
Fever Fest is on the smaller side with about XXXX attendees in total and two classes at any one time. I have to admit that I really enjoy this type of “cozy” congress. By the end of the first day of workshops you get to dance and chat with a good portion of the attendees and knowing more people makes for much more enjoyable nights of social dancing.
One of the great advantages of smaller congresses is getting to know and dance with so many people in such a short time.
Great International Teachers
Most people who go t congresses go for one of two reasons; to dance their asses off or to learn new skills from teachers they wouldn’t normally get the chance to learn from.
The line-up at Fever Fest was a great mix of mostly European teachers who, again due to the smaller size of the event, came together as a mini-family of “dance parents” who happily mingled during the event with their “dance kids”, the attendees.
While I usually don’t condone favoritism I have to mention one of the instructors in particular. The world famous Marco Ferigno, dance partner to the equally famous Karol Florez, gave a Master-class in Mambo Shines and it was simply… masterful. On top of being a simple astounding dancer, he also happened to be a very friendly, approachable and down-to-earth teacher. I was exhausted after an hour and a half of his rapid fire choreography, but happily so.
A great collection of talented and friendly teachers and performers that really mixed with the festival goers.
A Class Act
While the actual teachers at a congress are vitally important, the type of classes they teach are just as important. Everyone is used to doing the good old staples like “LA Partnerwork” or “Ladies Styling” and these were duly represented at Fever Fest. However, they were supplemented with novel classes such as Boogaloo and Reggaeton. This is the kind of refreshing variety that makes a congress worth attending; classes that take us out of our comfort-zone and expose us to new styles and techniques that broaden our horizons as dancers.
It’s full of Dancing Irish People
While I may have the internet rights to call myself “The Dancing Irishman”, the dance-floor of Fever Fest was full of many more Dancing Irish People just as worthy of the title. Fair enough, the dance community in Ireland has a huge expat component but I really think that if you want to party with the Irish, there’s no better place to do it than on home-turf.
Great social dancing is a must at any congress and Fever Fest didn’t disappoint.
Show me something new
Last but by no means least, I need to mention the performances at Fever Fest. For most people, the most important parts of a congress are the classes and the social dancing and while I feel mostly the same myself, I was definitely impressed with what I saw. To begin with the first performance of the weekend involved four stunningly beautiful women shaking their ample booties in what could only be described as some form of urban/latin/funk… that got me hooked. On top of that there was the usual mix of excellent performances by both professionals and student groups that one would expect at a congress but one in particular stood out. An original choreography by the MC of Fever Fest, Azael Salazar and Nadezda Antipenko simply blew me away. The contemporary piece that Azael described as being about the desire to be with someone you can’t be with literally left me with my jaw hanging. By far the highlight of all that was on show. One final good point about all the performances is that they didn’t outstay their welcome every night. They kept them short and sweet and they didn’t reduce the actual social dance time too much at all.
Quite possibly one of the best contemporary dance performances that I’ve ever seen.
I’ll be back
All in all, Fever Fest impressed me, especially as a congress that is still in its infancy. Even though I don’t live in Ireland any more I can see myself making the trip to this great event on a yearly basis.
Great classes, great performances and a great dancing… what more could you ask for?
Keep dancing folks!
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) and then took the wrong meaning from virtually everything I said. Also a lot of people completely misunderstood what I meant by a Bah! dancer (someone who, after years, doesn’t even manage the basics well but has no desire to even get their rhythm in order… it’s all about a Bah! attitude i.e. they don’t care about salsa!). People seemed to think I was demanding everyone train to be a performance level, fancy footworked, acrobatic Salsa wonderkid! Nothing could be further from the truth.Some people made some 
The Dancing Irishman 