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Stick to your Guns (How to make new habits automatic)

31 Jan
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If I hadn’t stuck with salsa I’d never have learned just how much fun dance really is!

I was having a conversation with a friend of mine a few months ago, a guy who had traveled to Colombia to find a new, less stressful life much like myself.

He was working here and telling me how much he disliked his new job (he had started a little over a week before) and how he had read from some online guru that people shouldn’t spend their lives doing things that they don’t enjoy. He told me how much he agreed with this “guru” (he quit said job less than a week later) and how he firmly believed that people should constantly pursue new experiences.

“I don’t want to be the kind of guy that can’t remember the last time he tried something new” he told with a smile and a lot of confidence. “I want to try new things as much as I can”, “That’s” how you live your life”!

I felt a little sorry for him as soon as he said it!

Not that I disagree with him. I really believe that new experiences keep life interesting and keep us, as people, on our toes both physically and mentally. If you can’t remember the last time you tried your hand at something new, you really should take a good look at your life to make sure you’re not sinking into a rut.

My problem with what my friend said stems from that fact that he was so fervent about his belief in “new experiences” that he forgot how important it is to dedicate time to ones endeavors, to develop them beyond the superficial.

I’ll explain this the best way I know how; through salsa.

Let’s assume that when you went to your first salsa party a few years ago you were looking at salsa as your new experience. Let’s say you stuck with it for a few classes and learned the basic steps, a cross body lead and a turn or two and were pretty proud of yourself for it.

Then you decided to take up spear-fishing! All in the pursuit of new experiences.

You would never have learned the things that you have in all the time you’ve been dancing. You would never have learned how to enjoy music and dance as much as you do now. More importantly you wouldn’t know all the amazing people that you have met thanks to the world of dancing.

Give it time
As I said, new experiences are amazing but if you don’t dedicate yourself to new activities, you’ll never experience them the way they’re supposed to be. You’ll have just scratched the surface, thrown them a superficial glance and missed out on all the secrets that would have been revealed to you had you only “stuck to your guns”.

New Year, New You
I’m mentioning this now at the end of January because I’m sure many of you started out the year with great intentions and I’m also sure that many of you have thrown some of those goals out the window, just as I have.

Doing something new is easy the first time in the sense that you don’t need to dedicate yourself to it. Keeping it up is what’s tough, keeping it up is what takes effort and keeping it up is what reaps the greatest rewards.

My first salsa class was fun and, in a way, easy because I didn’t have any expectations for myself. I knew I was going to suck. Sticking with salsa for my first year however was tough. The few salsa parties I went to (they were surprisingly hard to find in rural Japan. Who’d have thought?) were like torture. I was terrified of making mistakes and beat myself up after for not having the confidence to ask more people out to dance. I thought to myself many times how easy it would be to just not bother, to give up and try something else.

However I also knew that if I stuck with it I’d be able to do the amazing things that I saw all those people doing on the dance floor and I’d be able to enjoy it as much as they seemed to be.

So I stuck to my guns and now they’re fully loaded (sweet pun, I know). I can dance (something I never imagined I’d be able to do) and dance has improved my life in many more ways than I can go into here.

Give yourself time
All dancing aside, if you want to achieve something, anything, you have to be dedicated to it.

How many of you said that you were going to eat healthier this year and are currently munching on the stale doughnuts you found at the bottom of your handbag? How many of you said you were going to get yourself a new job and your old resume remains only partially updated from the time when you got your last job?

Research these days says that for a new habit to stick, you need to stick with it for between 20-28 days. What that means is that if you try something regularly for just 3-4 weeks you break through a certain wall and suddenly maintaining that habit becomes a hell of a lot easier.

3-4 weeks is not a lot of time but that doesn’t mean that being dedicated that whole time is easy. It’s not. But if you stick it out, if you put up with the unpleasantness and inconvenience for just a few weeks your body will reward you by making it a whole lot easier for you. You’re not running uphill anymore, you’re cruising on the flat and straight road to victory.

Obviously 3-4 weeks doesn’t apply to everything. I takes me much more time to get used to something but from experience I know that there comes a time in every endeavor when things suddenly become easier, when things make sense and it all becomes a whole lot of fun.

I experienced it in salsa when my basic step became automatic and freed up my arms to do combinations and I’ve experienced it with Japanese and Spanish when I learned enough vocabulary and grammar to make conversations automatic instead of tediously over-thought.

Automation
In fact, that might be just it. You just need to give something new enough time for it to become automatic. Once that happens it’s clear skies and a nice wind at your back.

So what is it you want to do or learn?

If you want to get fitter then dedicate 3-4 weeks to going to the gym or going jogging at least 3 days a week.

If you want to eat less junk-food make yourself a promise that you won’t touch the stuff for a whole month.

Give yourself a month and once you start to see and feel the benefits you won’t need anymore will-power to help you achieve your goals. You’ll have made it automatic and that’s when the real magic starts to happen.

Forget January guys, your month starts here.

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Be inspired!

23 Oct

Dancing with great partners really keeps you on your toes!

I dance well!

I am far from being a great dancer but I get by. I stay on the beat, I use a variety of moves to keep things interesting, I adapt my dance to the level and style of my partner, I avoid stepping on toes and probably most importantly I haven’t dropped anyone on their face in months!

What this adds up to is that at times I can begin to “believe” that I’m good. Don’t mistake me, there’s nothing wrong with confidence, in fact it’s essential for all aspects of dancing. From actually getting you out on the dance floor in the first place to allowing you to feel comfortable doing things outside of your comfort zone which is the only way to improve; confidence is essential.

Over-confidence on the other hand can be detrimental to your progression. Thinking you are the Shiz-nit (I’ve always wanted to use that word) may make you FEEL like a great dancer but it doesn’t MAKE you one at all.

Searching for Swing
Case in point: I recently took advantage of a 4-day weekend with a little trip to Bogota to give the salsa scene there another try after a mediocre experience there a few months back. I went out dancing two nights and had two very different experiences. Both nights I went out with some very talented Caleña dancers as partners (I’ll admit I didn’t hold out much hope for the local dancers) so for the experiments sake let’s say that that factor was fixed.

The first night we went out we strolled around a particular nightlife hot spot in Bogota looking for a little rumba. We tried two places, “Quiebra Canto” first and then “Salsa Camará”. In both places I can unfortunately say that I was the best dancer there. Now before everyone turns there nose’s up and scoffs at the cocky Irishman who’s full of himself, allow me to clarify. What I’m saying is that the standard was very low!

My dance partners and I were the main source of visual entertainment that night, both because we danced well and because we danced a lot, which can’t be said for the other couples there. I’m not criticizing the other couples though; they were social dancers and were content with having a little wiggle on the dance floor every 6 songs or so… and that’s fine!

I, however, am not interested in just “a little wiggle” on the dance floor. I want to be good! After some great dances with my partners we left the club and as we were doing so I thought to myself: “I really don’t want to be in a place where I’M the best dancer”. The next morning, all I could think was that Bogota is missing some “swing”, the word dancers use here to describe a combination of feeling, emotion, musicality and skill when dancing.

Eye Opener
The second night was a very different story. We went to “El Panteón de la Salsa” a place that had been recommended to me by an Italian salsera who had lived in Bogota. She told me it was the only place to get some real dancing in the capital. It’s in a slightly dodgy part of Bogota and I was advised by quite a few people not to go there but after coming all the way from Cali and for the sake of my “research”, I had to go!

I knew things were different as soon as I stepped through the door. The dance floor was full, the air was hot and humid and the atmosphere was alive with salsa. People were dancing salsa caleña, linear salsa and salsa cubana. There were people doing moves I’d never seen before, people sweating buckets in the heat and best of all everyone was having fun with the dance in there own unique way. There in that one little club with it’s two little dance floors was Bogota’s Swing!

I danced the night away and apparently got plenty of attention because I was the only foreigner there and I knew how to dance. However I was far from the best dancer there and that’s what made it so much fun. I could happily sit down and watch the other dancers, wishing I could do some of the things they could do. You couldn’t wipe the smile off my face the whole night!

Being around people that are better than us makes us want to improve. If you’re the best dancer in a certain club or certain city or even a certain country, what incentive do you have to improve?

Probably not much, right? This is one reason why the big international salsa congresses are so beneficial. They give people who have gotten used to a certain salsa scene the opportunity to see, dance with and learn from amazing dancers from all over the world! For example I’ve heard some great things about the recent Berlin salsa congress after a lot of my Irish salsa dancing friends attended it a few weeks back.

Finding Inspiration
To avoid developing a false sense of over-confidence we need to put ourselves in positions or places where it’s obvious that we’re “not all that”.

Try dancing with the the person you consider to be the best dancer in the club. Try going to a new club or class to learn from dancers you haven’t seen before. Try to keep yourself on your toes. There is nothing worse than becoming complacent.

I’m lucky to see amazing dancers every time I go dancing here in Cali. They are the minority but they exist and seeing this amazing minority is enough for me to want to make myself a better dancer.

Remember, confidence is a good thing as long as you temper it with the knowledge that there will always be someone better than you. This is what it’s all about, getting to see all those amazing dancers out there that are better than you and being inspired to better yourself.

If you can’t find anyone who inspires you in your current situation it’s time to shake things up, time to try new things, maybe even time to go somewhere new. Find that new source of inspiration. That’s how great dancers are made!

Keep dancing folks!

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Humble Pie (and why you need it!)

17 Oct

When was your last slice?

To those of you who have been dancing for a while and have reached a decent level, when was the last time that you had a good portion of humble pie?

I recently joined a dance company that has nothing to do with salsa. I joined to learn new styles of dance, new movements, and to meet some new people. The group has a great reputation and a very strict director that maintains it as such.

My first 2 practice sessions  with them weren’t overly challenging as they were going easy on the new guy! However, I arrived late for my third practice session with them and after I warmed up I moved to the back of the room to watch the rehearsal of a particularly fast paced choreography. The room itself was round with windows on all sides so everything could be seen by all the people outside (the practice hall is in a public park). At the back I clumsily tried to copy some of the movements I saw performed in front of me. I was pretty embarrassed as I knew the people outside could see me doing it and and doing it badly at that.

They then did the whole choreography to music. It was fast. So fast that during the 3 times they did it, my jaw hung open somewhere around my ankles.

Then came the moment that I hoped wouldn’t come. The director called my name (actually he called me “Michael” first until someone corrected him) and asked me what part I had been watching. I froze! I had been watching the whole choreography in awe and hadn’t even thought of memorizing the moves. I didn’t answer and just stood there with a look something similar to what I looked like when I realized I was getting mugged for the first time “Is this seriously happening?”, “Oh God no!”.

A friend of mine ran over to me and asked again what part I had watched and I stuttered that I hadn’t watched any one part in particular and that I couldn’t do the dance. She told me with the sternness of a parent to a child who doesn’t want to go to school, that I had to do it. My fate was sealed. I was getting schooled whether I liked it or not!

I walked to the position the director picked for me, looked around and took the pose of the guys around me and then the music sounded and in less time than it takes to say “Dear God No!”, the choreography started.

Quick turn, new pose, start spinning, new position, pose in front of female partner, rotate around her, spin to new partner, take formation with the other men, move around the room, pair up with yet again new partner, spin her a few times, dance around her… and so on. I didn’t have a clue what I was doing. I imagine it looked something like the first few minutes of the D-Day landings in Normandy as viewed by the allied troops… “We’re FU$KED!”

Another member of the group actually chased me around the room shouting directions at me and telling me where to move. All I could think about was how badly I was doing it and all the people outside looking at me, laughing and thinking of me as the uncoordinated foreigner who thought he could join this dance group.

The moment the music stopped was the sweetest sound (or I should say silence) I have ever heard. I was humiliated, I felt like crying, I wanted the earth to open up and swallow me down and I had a whole 15 seconds to feel that way before the choreography started again. Of the 5 times we rehearsed, none were quite as humiliating as the first time but they came shockingly close.

I’ll be honest I really felt like I wanted to give up the idea of dancing with the group, right there and then.

Sucking like a vacuum cleaner
When was the last time you felt that way yourself? Might it have been after your first uncoordinated salsa class? During your first awkward “attempt” at a social dance? Right after you were refused a dance for the first time? That time you dropped your partner on her head?

I’m assuming, however, that you didn’t quit, that you grit your teeth and kept going and because of that you dance the way you do today.

What I’m trying to get at is that before we get good at something, we have to SUCK at it big-time first. We humiliate ourselves, we look like idiots and we feel like quitting but every time we practice we suck a little bit less.

I think that’s the whole point, to suck a little less every time. It’s called practice because the whole idea of it is for you to get better, eventually. If we were automatically good at everything we tried we would never feel that sense of achievement that we get after putting in some hard work and suffering through the embarrassment of sucking for a while.

The demeaning ordeal with the dance group really helped me remember what it felt like when I first started dancing and made me appreciate how far I’ve come since then. I used to actually wait for songs to be almost finished before I asked women to dance to avoid the embarrassment of only knowing a couple of moves. Now I can’t get enough dances in during a night out!

As long as I remember how far I’ve come with salsa (or Japanese or Karate or anything else I’ve achieved for that matter) taking on new challenges doesn’t phase me much. I know from experience that to get to the point where I’m good at something I need to go through a “perceived” humiliating period of seriously sucking at it.

Go out and get a slice
Being humbled every now and then would do us all some good every now and then. Try to remember when you had your last slice of humble pie. I’d you can’t remember it’s probably due time for a big piece so go out and look for a new challenge. Find something you’ve always wanted to do and just do it. And if you suck at the start (as most people will) just eat that portion of humble pie and shout out military style “THANK YOU SIR! CAN I HAVE ANOTHER SIR!”. The slices will get smaller and smaller every time!

As for me, I plan on going back to practice with the dance group this week for my next portion of humble pie. I’m going to suck, but not as bad as the last time, and that’s what it’s all about.

Keep dancing folks.

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Cali: One year on!

5 Sep

Cali: the only risk is wanting to stay!

This September is a special month for me. On the 8th of this month I will celebrate one whole year in Colombia.

It’s been an amazing year, which doesn’t mean it’s been completely free of “downs” but it certainly has had an overwhelming majority of “ups”.

It’s very difficult for me to to summarize my experience here over the past 12 months but I feel the occasion merits a decent look at some of the many experiences that have been part of my life here in Cali.

Recent time restrictions (because of a new job) and my general lack of writing talent dictate that this will be a rather haphazard amalgamation of thoughts but hopefully I’ll be able to convey a little bit of my feelings to you, my avid (cough cough) readers.

I’ve already spoken about some of the things I love about Cali so you can check those out together with some of the things I have to say in this post.

La Capital Mundial de la Salsa
Seeing as Cali is the “World Capital of Salsa” I suppose the place where you all expect me to start is with salsa. So that’s exactly why I’m not going to… who am I kidding, that’s exactly where I’m gonna start.

Music is the life blood of this city and salsa is the vast quantity of red blood cells with bachata, merengue, regaeton, vallenato, cumbia, bolero and pacifico music filling less prominent though equally important roles like plasma, platelets and white blood cells (can you tell I’ve been teaching high school biology recently? Right, enough of that!).

Everywhere you go you can hear some form of Latin music, mostly salsa, playing. Taxis, shopping centers, bars, restaurants, restrooms, everywhere. Whereas in Europe or the states where you have to look for specific places that play salsa music, the reverse is true here. Here, salsa is the standard and you have to go to specific bars or clubs to hear pop, rock or anything else for that matter.

This ubiquity of salsa (and other latin music styles) is, in my opinion, the real reason why Cali is called the Capital of Salsa! Salsa is the No. 1 social activity here. If you go out with friends to a bar or club you are more than likely going spend the night (apart from drinking and talking) listening and dancing to salsa.

This, at first glance, is great news for a salsero like yours truly. However, certain discrepancies become apparent very quickly.

Going Out
As dancing is the social norm here people generally go out in groups so that they can dance amongst themselves. This means going out dancing solo somewhat of a challenge. In the non-Latin world, when people go out dancing they generally ask every Tom, Dick and Harry (or Harriet) for a dance. Here you usually stick to your group (normally seated at a their own table).

I learned this, much to my disappointment, on my very first night dancing salsa in Cali. It was a Tuesday night and having arrived in Cali early that morning I was raring to go and dance salsa in my Mecca. I arranged a small posse of foreigners (unfortunately none were dancers) in my hostel and asked the receptionist to recommend somewhere good on for a Tuesday night. Cali, just like anywhere else has clubs that are good on specific nights, so he told us to go to a place called “Siboney”

In I went, as excited as a 7 year old about to go to the zoo for the first time in his life. The first thing I noticed was the layout, the majority of the club was made up of booths with tables facing the relatively small dance floor. The club wasn’t empty but it was far from full and there was loads of room to dance, which I love.

When I looked at the clientele, I noticed that most tables consisted of only one or two men surrounded a bevy of beauties (what a great word eh, “bevy”!). The girls were impeccably dressed with near perfect hair and makeup and many were … er… em… enhanced in both the front and the back (to stop them tipping over I’d imagine).

I danced with the one girl from the hostel who I’d managed to convince to come out with us and despite her claims of being “able to dance salsa” I quickly realized that I probably wouldn’t be able to spend the whole night with her flailing around in my arms like a freshly caught fish.

I also realized that the layout of the club didn’t really make asking strangers for a dance all that easy. If I wanted to dance with a woman I would have to walk up to her booth and ask her in front of all the other people there and pray that the guys at the table didn’t take offense to me moving into their territory. That sensation was really overbearing and something kept telling me to bide my time.

I did. I decided to wait for the guy at one of the tables to take one of his girls out for a dance and leave the other girls unaccompanied. Then I pounced. I walked up to the table and asked one of the girls in my best Spanish (which was fairly awful) for a dance. Her reaction most certainly was not what I expected. She looked very surprised and immediately started looking to the two other girls at the table (yeah that’s right, this one guy had four girls), as if for advise. They quickly discussed what to do amongst themselves and the other two then encouraged her to dance with me.

We stepped out on the floor and danced. I could tell she was nervous but the dance was fine, nothing special, but it made me feel better to actually be dancing with someone who could follow (my few Cuban steps at least).

I had a one or two more dances with other girls from other tables deciding to ask the guys if I could dance with their girls, which felt very strange. The next day I confirmed my suspicions that the guys were probably drug dealers and the majority of the girls were prostitutes. Just as well I didn’t make a move on anyone.

So my first night dancing in Cali was a little bit of a let down. I’ve learned to deal with the seeming inaccessibility of other groups in a club by always trying to go out with a group of dancing friends and going to clubs where things are a little more relaxed (and where there’s less drug dealers and prostitutes).

The Dancing
The vast majority of people in Cali “dance” salsa. That does not mean they are good at it.

The majority of Caleños know at least the the Cali-basic back step. Most guys can through in a turn and most girls can follow one or two. For the majority, that’s it. People can spend entire songs repeating the basic step and one or two turns over and over again.

In all honesty and not intending any disrespect to Cali and my friends here… it’s really boring.

In non-latin countries we learn salsa in order to get good at it. We love adding new moves and combinations to our individual repertoires. I honestly expected that salsa in the World Capital of Salsa would be mind blowing and that most people would be able to put us non-latino dancers to shame. Not the case.

As I said, salsa is part of the social fabric here and as such, people don’t take it as “seriously” (for want of a much more appropriate word) here. What that means is that people generally don’t see any need to practice nor do they dance as much on a night out as dancers do back home. In Ireland or Japan, if I go out dancing I will spend the vast majority of my time doing just that. Here however people spend most of there time sitting down or standing at a bar drinking and talking and only go out to dance every now and then.

All this said, there are “some” spectacular dancers in Cali. Apparently there are more than 100 salsa academies here and according to some sources more than 7000 professional dancers here. And these people can dance!

The people who do know how to dance Salsa Celeño to it’s full potential really are amazing dancers. They speed at which they move their feet and the way in which they interpret the music is simply jaw-dropping. I’m very lucky too to have a great group of friends who are great dancers and really inspire me to learn more of the local style although I’m still pretty poor at dancing Caleño myself.

Check out this video of Cali’s most famous dance troupe, Swing Latino.

Dancing Close
Although I said that I find dancing the same moves over and over again a little boring I have to admit that this does not apply to the slow salsa that is danced here in Cali.

Slow salsa is, obviously enough, salsa danced to music with a slower tempo, a good example being Vente Negra by Havana con Kola. It is danced very close with the hips touching and arms around your partner, just like a close bachata. The movement too is very fluid and sensual too and people often dance without even moving their feet, just moving their hips together in time with the music.

With the right partner it’s a great way to dance!

The People
What can I say. Caleños are great. In the short amount of time I’ve been here I have made some incredible friends, people who I genuinely feel close to, some of whom have left Cali for other parts and I genuinely feel very sorry to see them go. They’re fun loving, happy and they always think of you when they go out, be it for a bite to eat or to dance.

I genuinely think that it’s because of Caleños that so many people decide to stay in Cali without being able to put their fingers on “why”. Cali doesn’t offer much in the line of tourist attractions, beautiful architecture or mouthwatering gastronomy but the people here are warm and friendly and caring and a hell of a lot of fun and that’s very important for me.

My Goals
I came to Cali eager to do many things but the most important of those were to improve my salsa and to learn Spanish.

Unfortunately, the best laid plans of mice and men often go awry and neither have improved the way I had hoped.

I spent a great deal of my time when I first arrived trying to settle into life here: finding work, finding an apartment, finding stuff to put in the apartment, meeting people and enjoying myself instead of focusing on what I came here to do.

I worked most of my time here as an English teacher working in the evenings when most salsa classes are held so that was my “excuse” for not taking more salsa classes and my job required that I spent a lot of my time speaking English and thus by default, not learning Spanish. To be honest I made far too many excuses to cover up my poor time management.

That said, I do speak Spanish now, not as well as I want but definitely a lot better than I should for the amount of time I’ve actually put into learning it. To give you an idea of where my level is, I have no problem with one on one conversations (if I don’t understand a word I can infer from context) and I can follow most group conversations amongst native speakers. I do have trouble with some movies and TV shows but have absolutely no problem with flirting in Spanish which is great because Caleños just like the Irish are serial-flirts.

My LA salsa has gone downhill considerably from lack of a consistent partner who can dance LA but I have picked up quite a few new moves from salsa caleña. Most importantly I feel that I’ve developed a much better appreciation for changes in the music allowing me to react much more naturally to it. My body movement too, I feel, has improved and I feel much freer to interpret music with the movement of my entire body. Which is nice.

All in all, despite the loss of some technical salsa (which I’m currently working on countering) I feel that my time here has rounded me out as a dancer, knocked off some of the rough edges so to speak (still plenty more to knock off though!)

Colombianization
I feel I’m quite good at adapting to new environments. In my four years in Japan I integrated well and took on many Japanese mannerisms that even now, more than two years since I left Japan, manifest whenever I’m around Japanese people.

I feel I’ve done a pretty good job adapting to life here in Cali too (although it may not have been the smoothest transition). When I decided to come here two and a half years ago I wanted to experience a culture completely different from Japan and that’s exactly what I got!

When people tell me a time to meet them I’m fairly certain that if I arrive on time I’ll be waiting a while. I’ve had to get used to that. Actually, on the night of my first date in Cali I was waiting almost 2 hours before she showed up. The next day I met the same girl for lunch and she had me waiting 2 hours again. Before you say “Well you’re a bit of an eejit for waiting that long” I have to say that she was worth every second of the wait! Nuff said!

Public transport is slow and usually overcrowded which in reality is the reason for most people being late so I understand but it doesn’t mean I don’t feel like punching someone’s internal organs when I get squeezed into a bus like a sardine every morning.

I’ve learned to let things happen knowing that I have much less control here. I think that’s a skill that everyone should try to acquire in their life.

I’ve become more cautious when I’m in the streets, something that I’ve learned to do from a couple of bad experiences that you can read about here and here. Colombia is definitely the most dangerous place I have ever lived but with a little experience, common sense and the advice of many locals I’ve learned how to avoid the danger as much as possible but I am always aware of it. Much like I’d imagine many Caleños are.

But I love it here
I know I’ve mentioned many negatives in this post but I think that only stresses how good the positives are. I’m having a great time here in Cali. I’m enjoying learning the language and the dance and the lifestyle. I love meeting the people here, spending my time with them and becoming more and more caleño myself.

I’ll be honest when I say that Cali is not what I expected before coming here but the unexpected can lead to some really great experiences and some amazing friends.

Gracias Cali!

P.S. this turned out a hell of a lot longer than expected, my apologies!

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Learning Languages made easy!

14 Aug

Learning a new language is easy when you know how!

Like almost every Irishman (and the vast majority of people on earth), I’ve been taught languages other than my native English since I was a child.

I started with Irish (Gaelic, for my non-Irish readers) in primary school. It was an academic journey that lasted 12 years (until I finished secondary school) and like the majority of Irish people (unfortunately) I hardly speak a lick of my ancestral language (much to my own shame).

The next language I had any academic exposure to was French. For my first three years in secondary school I didn’t really take it seriously but I studied enough to pass the tests although I could hardly speak it. That changed when I got a new french teacher for my last 2 years. She was a terrifying woman who ruled that classroom with an iron fist. I remember once she quizzed me on some vocabulary. I didn’t know the answer and was so scared that my vision blurred and the room felt as if it was shaking…seriously!

Fear is a great motivator and I did learn quite a bit of French in her class. More importantly she instilled me with a desire to learn the language and I’m very grateful to her for that (she was actually a really nice person, just terrifyingly strict). It was because of her that I decided to work in France for a summer to up my level.

The next and most important language I was exposed to was Japanese. I moved there to work in 2006 and lived there for 4 years. I was determined to get fluent and I was very lucky that my job afforded me a lot of free time to study Japanese and try lots of different methods.

Over my years in Japan I learned a lot about language acquisition from an excellent website called alljapaneseallthetime.com. I still use a lot of the philosophies I learned from that site when I try to learn languages. It works; today I work part-time as a Japanese translator.

My current language challenge, while I live here in Colombia, is Spanish. For various reasons (mostly down to pure laziness on my part) I’m nowhere near as good at Spanish as I would like to be after 11 months here. However, I do think that I speak better Spanish than I should for the amount of work I’ve actually put in. For that I can thank the following tips that I’ve learned over the years.

*Please bear in mind that a lot of these tips are aimed at people living in a country where the target language is spoken but there are also plenty that are applicable regardless of your physical location.

Learning a new language opens up a whole new world of possibilities and people you can get to know!

Tips for success

Eliminate English (or whatever your native language is): avoid English whenever possible and use use the language you want to learn in it’s place. You should only resort to your native language when all else fails i.e. when you haven’t got a clue what is going on. It also gives you an excuse to avoid certain annoying friends who speak your native language… it’s for educational purposes.

Read everything (in the language you want to learn): I’m not just talking about books, magazines and comics (which are great by the way). Got a flier for restaurant in your mailbox? Read it. Cooking instructions on the back of a box of food? Read them. Toilet graffiti? Read it. Every opportunity you have to read the language you’re learning and increasing your exposure.

Get musical: load you’re MP3 player with as much music as you can get in your target language. Any chance you can get, have those ear-buds attached and just listen casually, you don’t need to focus on what they’re saying exactly. You can also download the lyrics and read them along as the song plays (do it on the bus like I do just to see everyone’s reaction to the crazy foreigner singing to himself).

Learn new things through your new language: if you need to look up a fact, look it up in the language you’re learning. If you want to learn how to make ice-cream from scratch, find a recipe in your target language. The fact that the subject matter is important to you means you’ll retain more information. Wikipedia in your target language is your new best friend.

Try podcasts: Pod casts are basically web-based, downloadable talk-shows or radio programs. The topics are always incredibly varied so you’re bound to find something that interests you (I usually listen to cooking shows). Again you listen to them passively, while you’re driving or walking etc. it’s the constant exposure to the sounds of the language that helps.

Make friends: you need to practice the language and it’s much easier to practice with people you feel comfortable with (you’ll hold back much less). Also, you can ask friends to correct your mistakes and they’re much more likely to do it than people you don’t know well. My Colombian friends correct my mistakes all the time… after laughing at me (but that’s ok, we’re friends).

Join clubs: basically mix with local people as much as possible. Join a gym or a local sports team, take group dance classes, sign up for a cooking class. You have the joints benefits of doing something that interests you and meeting lots of new people to speak with. Public noticeboards are great places to look for them.

Carry a notepad: I always carry a little notepad to write down new words and phrases I hear so I can study them later. Most mobile phones these days also have a memo program so you can just note it on your phone for review later. My friends here in Cali get a kick out of it when I write down what they say (especially since it’s mostly slang and obscenities).

Use an SRS: an SRS (spaced repetition system) is basically a computer program that helps you remember things better and faster. I use a free SRS program called Anki. You can find all the information you need on the anki homepage. I cannot stress enough how incredibly useful an SRS is for language acquisition. The SRS is a language learning game changer.

Watch movies: or TV or anything for that matter, in the language you want to learn. A great place to start is watching movies you’ve seen before dubbed into your target language. You already understand the basic plot so it helps you understand what’s going on. If you can get movies with subtitles in the language you’re learning (not in your native language), all the better.

Use a native dictionary: as you progress and you understand more and more of a language you can start using a dictionary completely in that language. That means you’ll be learning new vocab through your target language which means more exposure and better retention in my opinion. Use a children’s dictionary if you can (they usually come with nice pictures as a bonus).

Change your settings: change the settings of your computer, your phone, your, camera, your email account, your facebook to the language you’re learning. You already know how to navigate them well so it shouldn’t be a hindrance and you’ll learn a whole load of essential words. It also means your friends probably won’t be able to fool around with your settings when your not looking.

Keep it interesting: You retain much more of the language when you’re learning about something that interests you e.g. cooking, sport, celebrity gossip etc. (and you’re also much more likely to remain motivated and keep studying). If you have no interest in the history of turn of the century South American politics, avoid it. Don’t get bored. Boredom is death.

Make mistakes: one of the greatest obstacles that people have to making progress with new skills is being overly concerned with making mistakes and looking foolish (this is very applicable to language learning and dancing salsa). Stop worrying about looking stupid, we all look stupid anyway and get out there and make as many mistakes as you can. Making mistakes is one of the best ways to learn (at least that’s my excuse)

Practice: as I’ve said before in this article, practice makes perfect. The more time you put into actually speaking the language, the faster you’ll get better. Practice doesn’t have to formal either, just make friends and above all have fun with it and you’ll be speaking a new language in no time.

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Up your numbers! The August Challenge

2 Aug

Start dancing and watch those numbers soar!

It is a new month and I’ve decided to make it a month of challenges.

A few posts back I wrote about the rule of 10,000 hours and how the best way to get good at something is through huge amounts of conscious practice.

Around the time of writing that piece I also happened to come across this article written by a kindred spirit who goes by the name of Chilly (he’s got lot’s of other great articles too so check them out).  Chilly had the clever idea of challenging himself to a variation of the 10,000 hour rule whereby, instead of putting in 10,00o hours of dancing, he set out to have 1000 social dances in June and July.

The idea is to get as much practice as possible and setting yourself a goal (such as 1000 dances) is a fantastic way to motivate yourself. In fact, achieving the goal is irrelevant. What matters is getting out there and getting as much practice as you can possibly get.

If you think 1000 dances is unachievable why not set yourself a slightly lower goal. If your just a beginner why not say that you’re going to try and get 100 dances in your first month. If you easily achieve it, just aim higher for your next month.

I’m a huge fan of recording stats in order to monitor progress “what gets measured gets managed”. Chilly decided to use a tally-counter (like in the picture above) to record all of his dances. That way he knew exactly how many dances he got in the time frame he gave himself. If you do the same yourself you can try to beat your own record and don’t have to worry about comparing with anyone else.

I doesn’t have to be used just for dancing either. Try setting yourself a goal for doing sit-ups or push-ups to get fit; starting conversations with complete strangers to get over shyness; writing pages of that book you’ve been meaning to finish. Whatever you want to do, set yourself a challenge and use that motivation to achieve it.

Why not mention your own challenge in the comments below?

I’m starting my dance challenge tonight. What about you?

How to be stronger than you’ve ever been in your life!

6 Jul

Do you need another reason to start weight training?
I didn’t think so!

Remember the last time you saw a bus of school children stall on a railway crossing with an express train coming and you weren’t able to shove it out of the way? …No?

Well, remember that time when the barn caught fire and you couldn’t carry the heavily pregnant horse to safety on your shoulders? Oh…well…ok!

What about that time you couldn’t move the pile of boulders blocking the entrance to the hospital for sick kittens? Seriously? No?

Ok…so…remember that time you had trouble opening the lid on that jar of mayonnaise?…Bingo!!!

It doesn’t matter if you work as a fireman, professional super hero or career pillow tester, everyday of our lives we rely on our bodies, our muscles and their inherent strength, to do everything from climbing stairs to wrestling livestock (What? You didn’t do that as a kid?).

It’s true that many of us live lives where the heaviest thing we have to move around all day is our own fat ass but there come times in life when we need to be strong, be it moving the washing machine to the other side of the room or carrying a fair maiden up the stairs to her candlelit chamber (I’m still waiting for something like that to happen).

So I think that we all owe it to ourselves to be as strong and fit as we can to help us deal with whatever life may throw at us because life, just like a spoiled 4 year old, likes to throw things. We may not have the opportunity to rip the door off of a burning car but at least we can make moving the TV from one room to another look like a piece of cake.

Getting stronger than ever
I’ve been lifting weights on and off (this phrase fails to express the true irregularity of my routine over the years) since I was a chubby 15 year old when I finally decided to take some initiative and lose weight. I’ve tried different routines with different levels of success from high reps to super slow sets and many things in between. Most of the time I was focused on simple weight management and looking fit so it’s no surprise that I never made any real strength gains although I was most certainly stronger than your average Joe.

However, after finding the information I’m going to show you today and deciding that I wanted a new challenge, I set myself the goal of getting stronger than I have ever been in my life which I reached after only 4 weeks and I have continued to get stronger on a weekly basis. In the 3 months I had been doing this program I increased my 5 rep max (the heaviest weight you can lift for 5 continuous exercise repetitions) by 12-18% in all of my lifts. This may not sound like much but at my, intermediate, level this is a huge improvement!

The Pros & Cons of Weight Training?
Pros

  • You can build functional strength that you can apply to your everyday life be it climbing the stairs or carrying your groceries.
  • Building muscle is probably the most effective way to reduce excess body fat without dieting. More muscle means a faster metabolism.
  • It’ll bring about serious changes in your physique in a very time efficient manner. This routine takes only about 1 hour, 3 times a week.
  • Intense weight training releases growth hormone, which not only keeps you lean and healthy but also is documented to have profound anti-aging effects.
  • Whether you’re a man or a woman, MUSCLE IS SEXY! (and everyone could do with more sexy)

    You only get an ass like this after doing a hell of a lot of squats.
    (BTW if you have an ass like this, call me!)

Cons

  • You may become just TOO SEXY and have to carry a stick around with you to keep the opposite sex at bay.

Seriously, you have nothing to lose and a whole hell of a lot to gain. Start pumping iron!

Ladies are not exempt
Seriously girls, why rely on guys to do all the heavy lifting around the house? Girls can be strong and feminine at the same time and in my opinion, there is nothing sexier!

If you’re worried about lifting weights and looking like She-Hulk, fear not! I’m working on an article aimed at explaining the benefits of and clearing up some of the myths about strength training for ladies. For the time being all you need to know is that you’re not going to look like you eat “Steroid-Pops” for breakfast if you lift weights. You’re going to look toned and sexier than any “skinny” model-types you see in Vogue.

Enter Bill Starr
The program I used is called the Bill Starr 5X5 routine. Bill Starr is a former Olympic lifter and power-lifting competitor who also has written extensively about strength and conditioning. His most famous book “The Strongest Shall Survive” became something of a bible in the world of American Football strength training (and those guys know what they’re talking about when it comes to being strong).

You need to read the detailed explanation of the routine here (best) and here (use as a supplement) and before you even consider doing the routine you should understand it on paper thoroughly, so read it fully and then read it again. If you find any of it difficult to understand show it to an instructor at a gym and get them to break it down for you (If they tell you to do a different routine, that Bill Starr 5X5 isn’t for you, then tell them that you’re grateful for their suggestion but no thanks, you want to do this routine!).

I followed the routine almost to the letter. The only differences are that I do the Standing Military Press instead of the Seated Incline Press and I do Underhand-grip Bent Over Rows instead of Overhand-grip Bent Over Rows.

You can also download a very handy spreadsheet here, that not only helps you plan your routine but also helps you figure out what your 5 rep max is.

Intermediate Lifters
It’s very important to remember that this is a routine for intermediate lifters i.e. someone with at least a year of regular weight training under their belt. You need to know how to do these lifts well because if you don’t you could seriously hurt yourself, destroying any progress you’ve made.

If you’re a beginner, start a good beginner’s routine (I’ve heard very good things about Mark Rippetoes book) in a gym where the instructors know what they’re talking about. If the trainer looks skinny or overweight try and find one who actually looks like he works out.

You can also watch videos of all the lifts in the routine at the following links:

Squat
Bench Press
Bent Over Row
Military Press
Deadlift

Correct form is essential for movements such as the deadlift.
But you were already checking this photo out for correct form, right!

Watch the videos and get someone who knows what they’re doing to coach you so can perform them with perfect form. Learn how to do these lifts well and you will greatly reduce your risk of injury.

If you work hard, rest hard
This routine will put a serious stress on your body so in order to get the absolute most out of it make sure you help yourself along with adequate rest and nutrition.

What is adequate rest? I would say at least 8 hours of quality sleep at night. When I train on a day after a night of poor sleep I can clearly see it’s effects on my performance. It can make reaching my goals for that day very difficult or even impossible (especially so with my deadlift)

Eat well. Make sure you’re getting sufficient calories and protein (here’s a great link that breaks down what you should be consuming on training and non-training days). I’ve also written an article with some great tips on what constitutes healthy eating.

Remember if you don’t give your body what it needs to recover after these workouts, don’t expect to make as much progress as you possible could. Be good to yourself!

Get out there and break your own records!
There is no better person to be compared with than with yourself. Follow this routine as it’s described, monitor your progress by recording the weights and repetitions you use and experience how good it feels to break all of your old strength records in such a short time.

For example, I have to admit that when I reached my deadlift goal last week I couldn’t wipe the smile off my face all day. Everyone should feel what it’s like to better themselves, it’s euphoric.

So what are you waiting for? Get out there and show the old you how far you can go. I guarantee you’ll impress the hell out of yourself (and let’s face it, you’re the only person that matters).

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Have you been working-out lately? Because you look spectacular 🙂 If you liked this article go ahead and share it with your friends via the Facebook or Twitter buttons below and if you use Stumbleupon please give it a “Thumbs Up”I’d really appreciate it 😉

How to be Great at Anything (Obliterating racial stereotypes in 10,000 hours)

6 Jun
English: Frankie Martinez performing "The...

Could I ever dance as well as my hero, Frankie Martinez?      With enough practice, you bet I could.

Dublin
Foreign girl: Where are you from?
Me: Ireland
Foreign girl: No your not, hahaha!

Cali
Local girl: De donde es usted? (Where are you from?)
Me: Irlanda (Ireland)
Local girl: jajaja, mentira (hahaha, lies)

I was dancing with both of these girls when they asked me these questions.

Apparently it’s common knowledge that I, as an Irishman shouldn’t be able to dance well. Apparently, I do not have the genetic material that would provide me with the bone structure and joints needed to move smoothly nor the ear for beat that would let me react intuitively to the music. Apparently, these genes can only be found in Latin and African populations which is why they’re the best dancers.

BULL S#!T

This is a lie that has been perpetuated throughout the world and especially so in the dance community for far too long. Preconceived notions like this are what stop people from even attempting new things. If we listen to them we WRONGLY believe that we are destined to fail at a certain activity because we lack a certain characteristic, be it physical or mental, that is necessary to excel in that endeavor. How many times have you heard someone say something like “Oh I could never learn Japanese, I’m no good with languages” or “I’d never be able to play the guitar. Music just isn’t my thing” or the classic “You can’t teach an old dog, new tricks”? BULL S#!T BULL S#!T BULL S#!T

I’m going to put all those lies to rest today by saying this: “I am an Irishman and I dance salsa”.

Don’t worry. I’m not going to base my entire case on that one comment. It’s time to elaborate.

When I first started dancing in Japan, I was constantly told by the people who got me into the scene in the first place, how latinos were the best dancers, that they could move better than Japanese people and really express themselves with the music. I was told this by people who danced salsa well, by the people who were teaching me how to dance. I later remember going to salsa clubs in big cities in Japan on a few occasions and seeing Japanese people dancing spectacularly with passion and rhythm and everything else that dance should be. Every bit as good as their latino counterparts.

When I returned to Ireland and started on the scene there I lost count of the times that people would tell me things like “I’ll never be as good as “so and so” because he’s black and they just move better”. One of my own dance partners (you know who you are ;-)) even told me that I would never be as good as a latino dancer because I was Irish. She was convinced that her own latin heritage meant she could feel the music differently and dance better. Yet despite this I still managed to get many comments like those at the beginning of this post in Ireland, Japan, the US and even here in Colombia, a latin country. Despite being Irish, I still dance well. (I know it sounds like I’m blowing my own horn here but I’m trying to make a point. I know for a fact that I have a very long way to go before I’m a great dancer, but that doesn’t mean I can’t dance WELL now).

Some of the best compliments I ever got were when I went with my friend “la Mulata” (introducing a new character folks) to a party held by some friends of her uncle. La Mulata is, obviously, black as is her uncle and the vast majority of the people who were at the party. I, on the other hand, am super-white so I tend to stick out “a little” at such parties. I’m used to it at this stage. The lifeblood of Colombian parties is of course salsa, so the time came and I took la Mulata out on the floor and started doing what I do. It was a great dance as I had danced with la Mulata many times before but I also felt that every eye in the room was on me. It’s easy enough to justify; the white guy in a house of black people trying to dance salsa in the world capital of salsa. Everyone was dying to see if I’d be able to keep up with the beautiful black girl I was dancing with. The song ended and we walked back to our seats smiling. What came next was a stream of compliments from my hosts about how well I danced. They all expressed their surprise and told me things like “you move so well” and “you’re really able to get the rhythm”. I blushed hard (as everyone who knows me knows I do often) and went on to dance plenty more songs during the night.

A little later the only other white people at the party (a married couple and their daughter) told me how impressed they were by my dancing and I continued talking with the father for a while. He told me that he had never been able to dance, that instead he preferred to to just listen to the music and chat at parties. He thought it was really amazing that a non-Latino like me could dance salsa so well. As we were talking we watched his teenage daughter dance with her friends. She danced just like them. She moved her body, especially her hips, beautifully and in perfect rhythm with the music, just like all the other girls dancing around her. I asked her father about it and he told me that he didn’t really understand why his own daughter danced so well. Neither he nor his wife were big dancers but she simply had always been able to dance well, since she was a child.

Let’s think about this a little: a white girl whose parents can’t dance, grows up in a mostly black community, with black friends, and ends up being able to dance just like them!

Is it possible that the ability to dance doesn’t actually come from some innate genetic ability that varies among races and is in fact something that can be simply learned? YOU BET YOUR SWEET ASS IT IS!

Here’s the thing, in general (I have to say in general because I have encountered plenty of exceptions over the years) people of African descent and latinos are amazing dancers. Is it because their bodies move differently, because they have “dancing genes”? I’m going to say “NO”. Then why do they dance so well? I firmly believe it is all down to cultural exposure and the resulting practice.

Latino culture (at least here in Colombia) is full of music and dancing. Children are exposed to this music from a young age and start dancing salsa in primary school and continue to dance it at virtually every social function they go to during their lives. They spend a huge amount of time “practicing” so it’s no wonder they’re such good dancers. Black people in Cali often live in black neighbourhoods where they have an even stronger music and dance culture than non-afro-descended Caleños. Due to all of this exposure many of them end up being spectacular dancers. This explains how the white girl at the party was able to dance so well. She grew up in an Afro-colombian neighbourhood surrounded by its culture and “learned” to dance in exactly the same way as all her friends.

How to be Great at Anything

How can we use this, in practical terms, to improve our own dancing (or anything else for that matter)? We’ve established that even if your not of African or Latin decent you can still become an excellent dancer just by immersing yourself in the culture. So all you need to do is travel back in time and convince your parents to move to a Latin neighbourhood to raise you, right?

Thankfully it’s a little easier than that (no time travel required).

This brings me to the concept of 10,000 hours popularized by Malcolm Gladwell in his book Outliers. I first heard of this concept while studying Japanese after discovering a great website with the snappy title of alljapaneseallthetime.com. The whole concept of “10,000 Hours” is that anyone who has ever mastered or excelled in a particular field, be it sports, arts or business, has done so only after putting in a huge amount of time (for example 10,000 hours or so) “practicing”.

Why is Tiger Woods one of the greatest golfers on Earth? Because his father introduced him to golf when he was 18 months old and encouraged him to practice constantly. By the time he was ranked world number one he had racked up years worth of experience. The Beatles honed their concert skills over four years and 1,200 live concerts in Hamburg, Germany leading them to become one of the greatest music groups the world has ever seen. Think about it, how many times have you heard of some prodigy child musician on the news? Do you think it’s a coincidence that the kid started playing the piano or whatever when he was two and practiced 3 hours a day for 10 years? Not at all!

CONSTANT, DELIBERATE PRACTICE MAKES MASTERS. IN ANY FIELD!

But hold on, if you do the math, it would take almost 14 years of practicing everyday for 2 hours a day to reach 10,000 hours!
Yes…if you want to become one of the greatest in the world.

Some people, however, have less lofty goals. The whole point of this article is to point out the importance of practicing frequently to improve your chosen skill. Practice and you will get better. If you want to dance like a latino, increase your “cultural exposure”; listen to the music every chance you get and dance to it like it’s going out of fashion. Move with the music, make it part of your life and watch how you improve.

My own personal experience with the power of constant practice came about a year after I “started” dancing salsa. As I’ve stated in an earlier post when I first started dancing salsa I had trouble getting to regular classes (due to my schedule, location and interference from other hobbies) so my initial progress was slow. So in September of 2009 after deciding I wanted a holiday and wanted to improve my salsa at the same time I booked a trip to Manila in the Philippines and Hong Kong. My logic was that I could get some private coaching there much cheaper than I could in Japan and there was a more developed salsa scene in both cities so I could dance regularly while I was there. I booked a number of private lessons with some instructors who I found by searching on the net, packed my bags and left on what is known in Japan as Shugyou (修行) (training or the pursuit of knowledge).

A birthday prank by my friends that ended up becoming the symbol for my monthly salsa parties in Miyazaki. Everyone was well aware of how big a part of my life salsa had become.

My holiday lasted about 10 days of which I had a number of hours of private salsa instruction (maybe 6) and I also went out social dancing almost every night (amounting to maybe 24 hours of practice). So when I came back to Japan 10 days later I had an extra 30 hours of practice under my belt. It showed. My salsa friends in Japan noticed straight away a huge improvement in my leading skills and general movement. I moved smoother and more easily and my lead became lighter but more definitive. In less than 2 weeks I had returned a different dancer.

I needed to increase the amount of time I spent practicing so I took matters into my own hands. I started organizing a monthly salsa class and party to get more people interested in salsa and so I could dance more. It took off and once a month my salsa friends and I would teach beginners the basic salsa steps and then dance for hours on end until our feet ached. I tried to practice with a partner on occasion too and I tried to occasionally make the 4 hour bus ride to Fukuoka to dance in the salsa parties there. I improved a huge amount because of all the new practice and because I needed to learn to adapt my style to that of all the other new dancers I was dancing with.

All of this taught me the real value of constant practice. I now know that if I want to improve in Salsa, or anything else, I just need to put in the hours. If I want to learn to dance like a latino dancer I just need to dance (a lot) with latino dancers, to watch and imitate what they do and practice it (a lot) for myself.

Since I’ve come to Colombia on my current salsa adventure I’ve noticed 2 things:
1: My LA style salsa (that is, my technical salsa) has taken a slight nosedive because I don’t have access here to partners that can dance LA (I’m currently training some in to remedy this).
2: My body movement and my ability to feel and react to music has improved significantly. I dance salsa regularly here in much closer contact than I ever have before and that has given me that opportunity to work on isolation in my shoulders and hips that I felt I was lacking in before.

With lack of practice one skill has deteriroated while with added practice a different skill has improved. It’s all about the number of hours you dedicate to a given skill. Simple as that.

So if you want to be great at something (or even just want to improve a little) there really is nothing stopping you except yourself. The only thing keeping you from being as good (or even better) a dancer as Africans or Latinos is time. Go take every salsa class you can find. Practice your basic step while you’re cooking in the kitchen. Get a good partner and practice together as often as you can. Fill your iPod with salsa music and listen to it when you drive to work. Dance socially at every, single opportunity you get. Show the world that you don’t need magical dancing genes to be a great dancer. Put in your hours and reap the benefits.

If you’re not practicing, you’re not getting better!
Use every chance you get.

How many hours have you put in this week?

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Fiona Uyema

Japanese Cookbook Author

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